Second-year curriculum at North Bennet with fifth-scale modelsSimplified binding with natural spine and blue goatskin boards and blue and brown sewn endband, Rubow binding with maroon goat edges and endbands, grey paste paper sides, and graphite head, and millimeter binding with blue goat spine, corners, and endband, acrylic marbled paper sides, and graphite head, with fifth-scale models in front.Fifth-scale Cambridge panel bindings with all-over gold tooled spine and board edges and red painted head edge, one plain calf binding, and full-size model in background showing red sprinkled edges.Vellum binding with alum-tawed pig thongs and foredge ties, with fifth-scale model in uterine calf with red painted edge.
Gothic-inspired binding from workshop with Jim Croft, with shaped wooden boards with alum-tawed pigskin spine inset into boards and brass clasps, with fifth-scale model.Tooling sampler plaquette in grey goatskin, showing straight lines and dots, Ascona onlay, gold, blind, and onlaid tooling, circles with onlay and gold border with Ascona onlay inside, and blind diaper pattern. Fifth-scale model in black goat.
Miniature binding of the Love Song of Alfred J. Prufrock in maroon goat with gold tooled spine and blind rosette on boards, with combed marbled endpapers, printed 4 octavos to a sheet of A4.
Miniature binding of a friend’s short story in black goat with blind title across boards and spine, black endpapers with maroon calf doublures.
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